The First Jacaranda

At the bottom of George Street, Brisbane, in the curve of the river, there was a convict farm growing maize and vegetables. In time, the New Farm was established as well, and later the Eagle Farm.

In 1855, after the convict era ended, the New South Wales Government established Botanic Gardens on the George Street land, and appointed Walter Hill, trained in London’s Kew Gardens, as Superintendent. In 1859 he was appointed government botanist. For twenty-six years, until he retired and afterwards, Walter Hill worked at introducing, propagating and sharing plants species across Queensland, Australia and the world. He propagated the first macadamia tree in cultivation, which is still standing today in the Brisbane City Botanic Gardens and still producing nuts.

He also experimented with varieties of sugar cane, and helped refine it – the first sugar to be produced in Queensland.

He collected native plants, and especially loved bunya and hoop pines, planting hundreds of them, along with fig trees. His avenue of bunya pines still dominates the riverside walk in the Gardens.

It was Walter Hill who successfully grew, in the Brisbane Botanic Gardens, what is said to be the first jacaranda tree in Australia – later the subject of Queensland Art Gallery’s most loved painting. He sent seeds from this tree, a native plant of Brazil, far and wide and transformed the parks, gardens, and street plantings of Queensland. The tree blew down in a storm in 1980.

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“Under the Jacaranda”, Godfrey Rivers, 1903 Queensland Art Gallery collection

 Walter Hill travelled Queensland, collecting native plant species and setting aside land in Toowoomba, Maryborough, Rockhampton, Mackay, Bowen, Cardwell, Cairns and other regional towns for agricultural study and botanical gardens. Some of them were never developed, but the ones in Rockhampton, Cairns and Toowoomba have become magnificent, much-loved and much-visited places, popular sites for weddings and functions, and home to fine plant and sculpture collections.

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Main building at Mackay Botanic Garden mackayregionalbotanicgardens.com.au

There’s some wonderful art in botanic gardens. It isn’t always widely known, and it often comes as a surprise.

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Sandstone rose sculpture, Mt Coot-tha Botanic Gardens, Brisbane

On a visit to Kew Gardens, which could be considered the oldest and greatest of botanic gardens, I was astonished by the colourful paintings of the nineteenth century English botanical artist Marianne North – 833 paintings, the product of thirteen years of world travels and literally covering the walls of a charming, specially designed 1880s building.

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Marianne North Gallery, Kew Gardens hotenough.com

One large group of paintings depicts the plants and forests of tropical Queensland.

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Marianne North’s Australian and Queensland paintings (obscured by reflections)

The nineteenth century was a time of scientific fascination with plants and animals. From the 1850s onwards, botanists, naturalists and “Acclimatisation Societies” in Australia, New Zealand, and across the British Empire sent huge numbers of plants and animals all over the world to see how they would thrive in different conditions.

Echidnas to London, wombats to Paris; possums to New Zealand.

In New Zealand, when some of the introduced species got out of hand, stoats, ferrets and weasels were introduced to control them.

The delicate balance of nature would never be the same again.

 One of the earliest botanic gardens in Queensland was in Cooktown. It was established in 1878 and revitalised in the late twentieth century, as tourism grew. Now, heritage listed and with interesting plant collections, it holds in its art gallery a collection of Vera Scarth-Johnson’s botanical paintings. I bought a print of the Cooktown orchid, Queensland’s floral emblem.

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Print of Cooktown Orchid by Vera Scarth-Johnson, from the Cooktown Botanic Gardens Gallery

In many parts of Queensland there are now botanic gardens established by local councils, such as those in the Gold Coast and Hervey Bay; all of them supported by groups of keen volunteers.

Others are privately owned and run, such as the Maleny Botanic Gardens. My favourite of these is the Myall Park Botanic Garden, outside Glenmorgan, 380 kilometres west of Brisbane. This garden has been devoted to the collection, propagation and study of plants that thrive in arid and semi-arid conditions – especially the grevillea.

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Tank stand sculpture, Myall Park Botanic Garden

We found this treasure by accident, when travelling to Roma via Tara and Meandarra to Surat and the Carnarvon Highway. It was begun in the 1940s, on a sheep station owned by the Gordon family, and spreads over a large area, with paths and information boards, a gallery and interesting shop, and accommodation.

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Decorative pavers leading to a bird hide, Myall Park

Different sections are devoted to different species, there is a bird hide, there are sculptures and artwork across the park, and the gallery features the botanical paintings of Dorothy Gordon.

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Botanical paintings of Dorothy Gordon

This garden is where the well-known and hardy red-flowering Robyn Gordon grevillea cultivar emerged by chance in the 1960s and was widely planted across Australia and beyond. Touchingly, it is named in memory of one of the Gordon family daughters, who died tragically young.

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A “Robyn Gordon” grevillea flowering in a park beside a busy Brisbane road

Walter and Jane Hill also had a daughter, Ann, who died young, in 1871. She was their only child; and there is a plant associated with her death, too. Ann was buried in Toowong Cemetery, only the second person to be buried there; and near her grave, to shade it, Walter planted a hoop pine. Today it is enormous.

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Hoop pine and grave of Ann Hill and her parents, Toowong Cemetery

The plant collections of Queensland’s botanic gardens are developed on scientific principles, these days with an emphasis on native species. The plants are interesting, but I love the gardens most for their beauty, and their history.

The art to be found there is a bonus.

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Grevillea plate from Myall Park Botanic Garden Gift-shop

Cemetery Birds

Toowong Cemetery is a miniature of Brisbane’s inner suburbs. It has main roads and side streets, steep hills, valleys, outlooks, hoop pines and fig trees, butcher birds and lorikeets. Wealthier citizens inhabit the hilltops, and the humbler spill down into the gullies. There are elaborate memorials, and neglected graves covered in cobblers’ pegs.

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From Toowong Cemetery, looking over the Western Freeway

Many of the family names on the gravestone are from the colonial past.  This place is a history book of Brisbane.

It’s spooky after dark. I walked through with friends one evening at dusk, and I wouldn’t want to be there alone. Strange people lurk in Toowong Cemetery.

There is quite a lot of my DNA buried here, but I have ancestors in graveyards outside Brisbane, too. A few years ago, my cousin Nadine and I went on a ten-day, ten-cemetery family history road trip to find them.

Nadine researched the names and burial places of family members in the cemeteries of Warwick, Texas, Dirranbandi, Saint George, Mitchell, Barcaldine, Longreach, Roma, Dalby and Toowoomba: a three thousand kilometre loop by road. She is fascinated by family history, and I’m always happy to take a road trip, looking for stories along the way.

So off we go. Most of the graves we visit are of people we never knew: great-great-grandparents, great uncles and aunts and distant cousins. Some, though, are of our own generation.

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Along the road to Dirranbandi

At Dirranbandi, we stop and ask for directions to the cemetery. It’s along the river, on the outskirts of town. Crows croak, the ground is dusty, and at the gate a woman on her way out warns us there are lots of burrs in there.

Our little cousins, Peter and Judith, have been lying next to each other for over half a century in this sad, hot, dry place, in this hard countryside. Peter died of peritonitis, aged four, and Judith a few years later, aged five, drowned in the river. The bush can be cruel.

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In the Dirranbandi Cemetery

We pick bottlebrush from the cemetery’s few shrubs to place on their graves; and back in the car we pick burrs out of our clothes and shoes and skin.

Our seventh cemetery is Longreach. As we drive there from Barcaldine, the sides of the road look like The Somme after a battle, with bodies lying everywhere – the bodies of kangaroos, hit by vehicles.

I drive, and Nadine looks at the map.

“The cemetery is in Raven Road. Go past Thrush Road and turn into Lark Street. If we get to Falcon Street, we’ve gone too far. What’s with these street names?”

“All the streets in Longreach are named after birds. The water birds run east-west and the land birds run north-south.”

“Well, that doesn’t work. There’s a Sparrow Street running east-west. And here’s a Crane Street, running north-south!”

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The bird streets of Longreach

“I don’t know. Just so long as we can find Raven Road, and the cemetery. We don’t want to drive all over town searching for it, like we did in Dirranbandi…”

In the cemetery we tread carefully. The dusty soil is falling away, leaving cracks in the ground around the graves, and it would be easy to misstep and sprain an ankle. The ground is so dry it’s shrinking.

There is a smell of death in the air. It’s probably a dead kangaroo nearby; but disconcerting, in a cemetery.

We find a distant uncle’s grave. It is marked by a substantial block of sandstone, crafted by the well-known A.L.Petrie Monumental Sculptors, of Brisbane. A stone like this must have been expensive to bring out here, over a thousand kilometres from Brisbane. The inscription indicates that it was placed here by his friends and admirers; but days earlier we’d found his own mother’s grave in Roma Cemetery, with no marker on it at all.

Mysteries of the past.

Last time I was in this cemetery, twenty years ago, Con and I were looking for the grave of Leonard Pitkin. Con’s mother Min had been married twice, the first time to Len, and it was his grave we trying to locate. A phone call to the local council had provided us with the grave number, and we eventually found the spot; but there was no name on the grave, no headstone.

Len and Min had moved out here in the early 1920s, looking for work, and in 1923 he died here of typhoid fever. Min was pregnant, and her father made the long journey by train from Mackay to take her home.

There are many unmarked graves in the cemeteries of western Queensland. In the early days, people worked hard, far from their homes, building roads and railways and wrangling stock, or cooking over open fires while wearing long dresses. Life was primitive, and accidents and illnesses were common. Many graves here are marked only by a rusted steel number peg and a sprinkling of red gravel.

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Len’s grave, in Longreach Cemetery

We’d sent a photo of Len’s grave to his daughter Joy, Con’s elder sister. She’d never seen her father’s burial place. She arranged for a headstone and came out on the train to place flowers on the spot where her father had been lying unacknowledged for over sixty years.

A few days after our Longreach visit, Nadine and I are at the Drayton and Toowoomba Cemetery. Founded in 1850 and heritage listed, it’s one of the oldest cemeteries in Queensland, built to hold forty-five thousand graves. This cemetery, unlike the others we’ve visited, has avenues with of tall trees, mossy or lichen-covered: kauri and hoop pine, London plane trees, camphor laurels and eucalypts.

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Drayton and Toowoomba Cemetery

Lichen makes the inscriptions hard to read. No lichen in Dirranbandi or Longreach. We find the headstone of a distant cousin we never knew, take photos, and move on.

Our last graveyard of the long trip is the Toowoomba Garden Cemetery. The grave we visit is fresh, the red earth bare and the headstone newly planted. This is where our cousin David had been buried just three months earlier, after losing his battle with cancer. David was the brother of little Peter and Judith. This was someone we had known and loved. This wasn’t family history research. This was personal.

So many cemeteries we’ve visited on this long trip, and this would be the last. And the saddest.

When I’m planted in Queensland earth, I’d like it to be in Brisbane’s Mount Gravatt Cemetery. It’s a serene place with gum trees and lots of bird calls – like a country town cemetery, but greener; with pale headed rosellas and king parrots, magpies and kookaburras. And no burrs.

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Pale headed rosella

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